So last week I mentioned I couldn't go into specifics about a contest. This week, I can, and I'm super happy to be able to share.
I entered SOLA's Dixie Kane Memorial Contest, a contest that I really enjoy the feedback in. After much nail-biting, they posted the Official Winners List, and I found my name in there... three times:
1st Place Paranormal -- Seduced By Fire
2nd Place Historical -- Bound By Decency
3rd Place Single Title Contemporary -- Love's Redemption.
I kermit danced for a while (only now my chapter members are asking me to demonstrate that one.) We'll see how The Suzannah plays out. I entered two pieces, one not in the above list.
Also, in exciting events, I decided to give both online workshops and conference workshops a go for the coming year. I've received word that my online workshop for Digital Publishing was accepted through both Black Diamonds RWA and Lowcountry RWA. I'll be teaching those workshops in February and August, respectively -- hope you'll come!
I submitted a different proposal for a couple conferences (one being RWA Nationals) and fingers crossed that they will go. I really would like to present. Really, really.
So it's been fun and exciting this week on my end. Other news to come next week. Anybody else have any fingers-crossed stuff they can talk about? Or achievements? I'm anxious to hear.
~Claire
www.claireashgrove.com
www.toristclaire.com
Shew!
I used to have this perception that being an author wasn't, necessarily, work. Writing is fun -- erego not a job. WRONG.
I figured this out somewhat after my first book saw publication and the world of, dum-dum-dum promotions became part of my life. So, website up, blogs somewhat active, presence scattered, newsletter out... Added that into my schedule.
Kids, it only gets worse!
This week, I had a deadline that I was in a rush to meet because the project was new for me and some of the elements are unfamiliar. Then it was 2 hours on the phone with my agent, discussing a multitude of things and options, one of which was a slight request for revisions on a previously submitted manuscript. Then, as my week of catch up and downtime is beginning to fade, I get edits back for a contracted manuscript.
In short, each day that passes, I learn more about the job of being an author. Promotions never fade. If there's nothing slated immediately, there's a need to keep back list material circulating. Add in the need to keep interest up about what's coming down the pipe -- promo work increases exponentially to the number of titles (at least at this point in my career).
The website is never current enough. The newsletter never feels engaging enough. Workshops to plan and propose. Chapter responsibilities which also increase with more available titles (and they should within reason).
There's a constant learning curve. My PAN membership went through, and now I'm learning more about what I should be doing, and what to expect as things unravel more. I tell ya -- if anyone ever tries to tell you being an author is a "cush job" -- please laugh in their face. It's seriously not. We do have the benefit of working from our homes -- but try and convince family and children that just because you're sitting in the living room at the computer, doesn't mean you can't get up to attend to their immediate needs or carry on a conversation.
So for anyone who's seeking publication, get a handle on this stuff now. Add it into your routine. Trust me, having it fall in your lap can make you topsy-turvy in ways you'd never imagine.
Those of you who've already mastered it -- big kudos from me!
And on that note -- what are your promotional tools?
~Claire
www.claireashgrove.com
www.toristclaire.com
In working with this new project, I've had to change up some of my habits and break some routines so my "boundaries" wouldn't be the same. One of the things that I've altered is, I've started listening to music while I'm writing. Not anything I'm a crazy fan about (like good classical, or sweeping orchestral because that totally distracts me.) Pop music actually. Which is great for a drive, but not normally part of my writing formula.
Anyway, I've discovered something that I probably should have realized a long time ago. There are a few songs that I absolutely cannot stand because they provoke such intense reactions. For instance, Rhianna's Unfaithful. When I first heard this song a year or so ago, it really made me ill. The message conveyed in there just... well, it bothered me.
Now, the song bothers me because it's very... raw. I've gotten over the need to preach "Hey. You can control yourself, lady." Now it just twists my guts because of the deep emotion in the song, even though I don't agree with the "message". Eminem's song, I Love The Way You Lie does the same thing to me. I mean for goodness sakes, lyricwise, the message is pretty disturbing. But combined together with the vocals and how the vocals are sung, it's a very moving song.
All of which, in an odd sense, has made me change a few approaches in my writing. Being able to appreciate the artistic value of songs that I'd previously snorted over, has allowed me to expand my own writing horizons. It's made me realize that it is okay to use a word choice that might not be pleasant for someone. (Always depending on context). It's okay to, where appropriate, have a little shock value.
I haven't been a writer who's afraid to use profanity, or afraid to open the bedroom door, or liberally apply blood. Don't get me wrong. But with this project specifically, it needed to be a little raw. Which I've been able to achieve with moderate ease, after pushing different boundaries.
And the moral of this little rambling? Sometimes it takes literally removing the box, not just stepping outside it, to grow. If, as a writer, there's something you want to accomplish, but perhaps you aren't certain you can, before you decide whether you're really capable or not, change your habits. Explore new territories. In the end, you'll appreciate the fact you have.
And now, back to writing, so I can meet my commitment of having this to Jewelann Monday. EEP!
~Claire
www.claireashgrove.com
www.toristclaire.com
I'm sharing two reviews that I received this month:
Both reviews were conducted by Marissa at Sizzling Hot Books.
The first is for Seduction's Stakes, my Contemporary romance centered around a passionate race for the Triple Crown.
FOUR STARS
"Seduction's Stakes is full of unforgettable characters, and an amazing love story. The story between Riley and Maddie is amazing, and like a fairy tale come true."
For full details, go here.
The second review is for All I Want For Christmas... Is Big Blue Eyes, a Christmas romance between two high school sweethearts who got everything wrong the first time around.
FOUR STARS"All I want for Christmas... is Big Blue Eyes, proves once again that Claire Ashgrove is a talented author. The characters are unforgettable, and the story is believable. You can add All I want for Christmas.... is Big Blue Eyes to your list of Holiday traditions because it is defiantly one for the keep shelves."
For the full review, go here.
If you'd like to find out a little more about these two titles, and my other stuff available while we're waiting on those darkly sexy Templar Knights, take a peek at my Contemporary Romances on my website.
Next time I'll go back to witty and mundane :)
~Claire
http://www.claireashgrove.com/
~Claire
www.claireashgrove.com
www.toristclaire.com
Stolen from the Cascade Literary Agency Blog
Occasionally while doing the total mundane (such as brushing my teeth) a few gems of wisdom pop into my head. Well, maybe not wisdom. But I like to think they are. Tonight while working through the next scene in my current work in progress, it occured to me to pull off what I'm striving for, I have to move each player very carefully.
Like chess. And thus the thought took root.
For anyone who writes with secondary characters, or includes extensive sub-plots, chess is a very appropriate term. Each person and element has to play off the other. The "Checkmate" is the resolution to the story. Getting there requires strategy, not just haphazard relocation of pawns and bishops (and if you're writing about Templars, the occasional Knight.)
Characters and elements can't just appear. Readers get highly annoyed by this. They have to be layered in, embedded in a plausible fashion, and dropping these little tidbits isn't nearly as easy as it may sound. Those who've faced the delimma of how to expose just the right amount of detail without giving away the whole package, should be jumping up and down in agreement. I think for some writers this comes more naturally. Others practice it (Romantic Suspense authors) so regularly it becomes habit. But those of us who are focused on different aspects of different genres have a bit of a difficult time with the chessboard.
Who moves to black? Who kills the pawn. When? With what piece? And how does that affect the pawn behind him?
I admire pantsers for this reason. I would seriously go into fits if my characters changed an aspect of my plot. I have to plot and in detail. But to sit down at a keyboard and possess the ability to navigate unexpected twists and turns? Simply amazing. Kudos to those of you who do.
Others, like myself, dictate out our plots over several pages, and then still stare at the screen, or pace, or chew on our nails as we realize "Oh. THIS must be in here. Now how to do it."
My current WIP is pushing that aspect of my brain a great deal and I am finding the challenge immensely enjoyable. But I'm curious -- how do you do it? Are you a strategic chess player, or are you the sort that takes the move, and then re-evalutes how to make the next one?
While you're considering that, I'd like to share with you the teaser for my Templar series.
For the higher quality version, go here: My Paranormal Website Page
For the faster-loading, but lower graphics quality YouTube version, go Here
Be sure to come back and share your thoughts on both.
~Claire
www.claireashgrove.com
~Claire
www.claireashgrove.com
www.toristclaire.com
Well, it's about time for a new look, don'tcha think? No more dark stuff you have to squint at.
Whee!
Hot Damn Designs created a new website for me, and today I've spent the entire day rebuilding my blog, rebuilding my newsletter, and doing some additional requirements for my actual site.
That is... in between monitoring the comatose toad my son brought me this morning. He, in attempts to catch it, whopped it on the head. ("But Mommy, it was hopping away!") While we were discussing the merits of life and how killing harmless things at random is not a good thing, I happened to see the toad gulp. So I told him to take "dead toad" out in the shade and leave it alone. Two hours later it evidently shook off the coma and hopped on its merry way. Now my son thinks it came back to life. Yeesh!
And in between that, he happened upon a rather large find of monarch caterpillers yesterday. Now... all my childhood I wanted to find one of those. I wanted to watch it transform. Never happened. My son CHANCES on the motherload of all caterpillars. So we have nine of them now, and they all have "assumed the position" as of tonight. In about 10 days we'll have pretty butterflies!!
I think I'm more excited about this than he is.
But at least it beats his trying to add the "dead" toad to our ever-increasing collection of dead bugs.
Oh... to be the mother of boys.
Well, enough rambling for one evening!
~Claire
www.claireashgrove.com
www.toristclaire.com
"Victorians used the term 'limbs' as a euphenism for legs, which were thought to be so sexually exciting to a man, even a glimpse of a table leg could incite him to sexual frenzy. Table skirts were invented to prevent any unnatural unions between men and furniture."
~(History Channel International)



























